

Sayija was the Earth Witch three years ago, lord of Kashmistan, and mother of Mordimort and Niki. Niki cares deeply for Mordimort and wants the best for her, choosing to sacrifice herself instead of Mordimort to protect her multiple times. She tells Mordimort that she loves her, then disappears for good. Niki's final appearance is while Mordimort is receiving the Earth Score. Niki later appears while Mordimort is being tuned and helps Mordimort decide to face reality instead of hiding in her spirit world by pointing out that since she wants Mordimort to leave and was created by Mordimort's emotions, that means that Mordimort truly wants to leave, too. Niki then fights and attempts to kill Hrodulf, but fails, and then blows herself up with magic so that she can harm Hrodulf. Lauren Anne Landa (born June 9, 1988) is an American voice actress who has worked on English. However, she gave the Qualia to Mordimort to save her life before dying of smoke inhalation.Īt the time of the story, a constructed version of Niki takes care of Mordimort in Kajar and pretends to Alto to be the Earth Witch to keep Mordimort safe. Three years before the story, she was given the Earth Qualia by her dying mother during the Kashmistan incident. We are obsessed with strong, disruptive female figures, like witches.Niki is the twin sister of Mordimort and daughter of Sayija. Witchy noses have become a feature in your campaign imagery – what is your thinking behind this? The suppression of the work makes the celebration of Bernstein all the more important, and we are so pleased to distribute her work in a different form, half a later. But, much to the surprise of Bernstein and her fellow participating artists, it was deemed lacking in ‘social value’. Cindy Nemser nominated Bernstein’s work for inclusion in the exhibition ‘Women’s Work – American Art 1974’ at the Philadelphia Civic Center. Affiliated with the anti-war art movement, she utilised charcoal to scale up words and images onto paper, and many of her works depicted symbols of aggression loaded through perceived masculinity. Judith Bernstein is a New York-based artist who first started making politically motivated art in the 1970s. Medea has also created a Judith Bernstein capsule collection. This is our little treehouse where we disconnect and really focus on Medea. we’ve set up a little studio on the balcony of our apartment where we hang our inspirations for the upcoming collections. Normally, it’s important to us to travel, meet people, hang out with our friends, dance and see art we are not ‘studio rats’. Walking our dog, Fofo, is the best way for us to take time out from our home and studio environments. Then comes a quick breakfast ‘all’italiana’ – cappuccino, croissant and orange juice. This period has also given us the opportunity to dive deep into references and to rethink elements of the brand.Įvery morning, we have a workout session over the phone with our best friend Sofia, whether it be Tai Chi, cardio or meditation. It’s been good to break the pattern of work and to source materials and colours for the next collection. It has a been a very creative quarantine so far, but we had to be stricter about building a daily work schedule to make sure we have our own space. How has being with each other 24/7 changed the way you work together? We caught up with them via video call while they walked their dog, Fofo, to talk about what they’ve been up to recently, the influence of art and film on their work, and why they’re fascinated with witches’ noses. Famed for their fashion-meets-art accessories, Italian-born, Milan-based sisters Giulia and Camilla Venturini have been building their standout brand, Medea, since 2015.
